When I created this Tutorial in 2006, I was using Liquid Edition 6.1. I have a box with AVID Liquid 7 on a shelf here. However, as long as LE can do what I require, I see no reason to upgrade. In April 2006 I bought 2 new video cameras - a Sony HVR-Z1J and a Sony HDR-FX1J. As LE 6 is doing a great job of editing the HighDefinition footage I still have no reason to upgrade the software. I have never really understood the reason why so many people want Liquid to be an all-in-one solution to everything connected with editing. I believe that software dedicated to encoding, software dedicated to DVD authoring etc. are very likely to do a better job in their own field than a great NLE which is trying to do everything in one piece of software. |
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The jungle of encoding software, codecs, bitrates, resolutions, screen sizes, interlacing or progressive choices etc. has had me totally confused. So In September I set out on a quest to find the best combination of software and settings to use together with LE6. I was looking for the best solution for myself. That may not be the best solution for you. But I hope this summary of the workflow I finally opted for may be of some help to you. |
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